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Classical Ballet Technique, by Gretchen W. Warren
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"Classical Ballet Technique is an invaluable guide for students, teachers, and ballet lovers. It not only covers the broad spectrum of ballet vocabulary but also gives sound, practical advice to aspiring dancers. The clarity of the writing, in a field notorious for its opaqueness, is in itself a major achievement."--Merrill Ashley, Principal Dancer, New York City Ballet
"An excellent, comprehensive guide to ballet pedagogy valuable to teachers and students alike. For many years Gretchen's has been a major voice in the dance community, and this extensive work details the study of classical ballet from her unique and expert point of view. I applaud her, and I heartily recommend Classical Ballet Technique."--David Howard, International Ballet Master and Master Teacher
"Gretchen Warren has undertaken a monumental task and has completed it with distinction. Obviously a labor of love, this book's attention to detail and the clarity of its text and photos make it a valuable contribution to the lexicon of ballet. I recommend it to every serious student and teacher."--Thalia Mara, Founding Director, Ballet Repertory Company and National Academy of Ballet; Artistic Director, U.S.A. International Ballet Competition
"Congratulations to Ms. Warren for her authoritative book on classical ballet. Thanks are in order too from the many professional teachers, dancers, and students of the art form who will benefit from this book-an essential addition to any dance lover's library."--Lawrence Rhodes, Artistic Director, Les Grands Ballets Canadiens
Gretchen Ward Warren studied at London's Royal Ballet and the National Ballet School of Washington, D.C. She was soloist with the Pennsylvania Ballet for eleven years and ballet mistress of American Ballet Theatre II from 1978 to 1983. She is professor of dance at the University of South Florida and frequently appears as a master teacher on the national and international circuits.
Susan Cook has photographed the performing arts for the past fifteen years. Her work has appeared in Time, Newsweek, the New York Times, and many dance books. Her own books of photographs include In a Rehearsal Room and The Alvin Ailey American Dance Theater.
- Sales Rank: #49821 in Books
- Brand: Brand: University Press of Florida
- Published on: 1989-12-01
- Original language: English
- Number of items: 1
- Dimensions: 11.96" h x .85" w x 9.02" l, 3.71 pounds
- Binding: Paperback
- 395 pages
- Used Book in Good Condition
From Library Journal
An important addition to the reference libraries of teachers and students of ballet. Warren, soloist with the Pennsylvania Ballet for 11 years and now associate professor of dance at the University of South Florida, explains the correct execution of every step in the ballet vocabulary. Dancers from the American Ballet Theatre and the Joffrey Ballet appear in over 2600 photographs and illustrate the movement. Part 1 of the book covers basic concepts of training, physical characteristics of the ideal dancer, and suggestions for conducting a successful class. Part 2 is devoted to sequential photographs of more involved steps and definitions of terminology. Warren includes stylistic variations--Soviet, Italian, French, etc. This book is unprecedented in its detail and clarity. For anyone with a serious interest in ballet. Highly recommended.
- Joan Stahl, Enoch Pratt Free Lib., Baltimore
Copyright 1990 Reed Business Information, Inc.
Review
"An important addition to the reference libraries of teachers and students of ballet...for anyone with a serious interest." -- Library Journal
Simply unequalled—nothing else is even close. -- balletbooks.com
About the Author
Warren-Prof of dance, Univ of South Florida
Most helpful customer reviews
14 of 15 people found the following review helpful.
great book for teachers to show to students
By Silly Sally
When I moved to a small town, I was asked to teach ballet at a local studio. Because I had never been a profesional, I was a bit apprehensive, and a bought a couple books for help. Also my teaching methods,especially the placement of the pelvis, differed greatly from the studio director's view. This book, as well as the book, Inside Ballet Technique were wonderful guides to share with my students. Through pictures in this book, I could show my students how poor alignment, like a tucked under pelvis, can destroy your posture and can greatly hinder your development as a dancer. Without this book and its pictures, I don't know if my students would have ever believed
that a neutral, properly placed pelvis is the foundation for ballet. (They had been taught for years the grip/tucked pelvis method) If there are teachers or students out there that think tucking your pelvis under will help improve your posture or that gripping your butt is the end all answer to all technique problems, they need to read this book as well as read Inside Ballet Technique. These two books dispel many of the Ballet myths that are taught every day in classes.
0 of 0 people found the following review helpful.
A ballet teacher's essential
By Zulli
I bought this book a few months ago and now I wish I'd done it years ago... This is a must-have if you are a dance teacher. It has detailed descriptions and step-by-step photo analysis of every single step in ballet vocabulary, from the simplest positions to the most elaborate allegro. What I really love is that it contains descriptions of the various ways in which students get the steps wrong and what the correct version should look like. It is also very organized, concise, short and to the point, so it is no problem to get the exact information you need. Not a book for amateurs, but a must for professionals.
0 of 0 people found the following review helpful.
Five Stars
By Suzanne Cramer
Perfect gift for a budding dancer.
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