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One Arm and Other Stories, by T. Williams
Download PDF One Arm and Other Stories, by T. Williams
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Here are the eleven remarkable stories of Tennessee Williams's first volume of short fiction, originally published in 1948 and reissued as a paperbook in response to an increasingly insistent public demand. It was this book which established Williams as a short story writer of the same stature and interest he had shown as a dramatist. Each story has qualities that make it memorable. In “One Arm” we live through his last hours and memories with a 'rough trade" ex-prizefighter who is awaiting execution for murder. "The Field of Blue Children" explores some of the strange ways of the human heart in love, "Portrait of a Girl in Glass" is a luminous and nostalgic recollection of characters who figure in "The Glass Menagerie," while "Desire and the Black Masseur" is an excursion into the logic of the macabre. "The Yellow Bird," well known through the author's recorded reading of it, which tells of a minister's daughter who found a particularly violent but satisfactory way of expiating a load of inherited puritan guilt, may well become part of American mythology.
- Sales Rank: #15791728 in Books
- Published on: 2000-01
- Binding: Hardcover
From the Back Cover
Here are eleven remarkable stories of Tennessee Williams's first volume of short fiction, originally published in 1948 and reissued as a paperbook in response to an increasingly insistent public demand.
About the Author
Tennessee Williams (1911-1983) is the acclaimed author of many books of letters, short stories, poems, essays, and a large collection of plays, including The Glass Menagerie, A Streetcar Named Desire, Camino Real, Cat on a Hot Tin Roof, Orpheus Descending, The Night of the Iguana, and The Rose Tattoo.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Fabulous writing, and memorable stories...
By James Hunter Ross
There are several stories, and I enjoyed them all. I had heard The Bear was the most well known, and I certainly enjoyed it and its exploration of man and nature. But the others are very good, memorable, and stand on their own. I have read more than half of Faulkner's works, and I was not disappointed. I heard people complain that the characters and their genealogy could interfere, but I did really care that I didn't have an exact picture of who was related to whom, who begat who. (There are detailed genealogical breakdowns on-line, and you could keep one handy if you really need to.) The writing of woods, the many hunts, weather, as well as the characters is just brilliant!
4 of 4 people found the following review helpful.
Good Stuff - - If You Can Hang In
By Reading Fan
This is the 6th or 7th William Faulkner book I've read over the years and they are consistent in a couple of ways: they are about the Old South, and they are worth the read if you can hang in. At his best, Faulkner is like poetry, but often also like a puzzle with one or two pieces missing. His stories usually start in the middle and then jump around time-wise; you are not always sure of whom he is talking about. Also, his existential view is a bit depressing: this is all there is, and there might be a god, but one who is really of no particular use. His sentences are run-on, poorly punctuated, convoluted, and sometimes a page or two long. BUT, if you can wade through all that, the stories are haunting or humorous but never boring. `Go Down Moses' generally gives personal highlights (or lowlights) of the 200-year history of a family that had both black and white branches descended from the same man. Faulkner has unusually keen insight into the racial tension that has plagued our country from even before the beginning, and it shows in his writings.
Faulkner is after all a Pulitzer Prize winner (twice) and even a Nobel Prize winner, and well worth the read - - if you can hang in. At least that is my take on it.
2 of 2 people found the following review helpful.
Hard reading but rewarding
By Ahmed Daoud
Go down Moses is certainly not a very accesible novel, but that can be said of the whole Faulkner-oeuvre.
The novel consists of several stories who are related to each other. To my opinion 'Pantaloon in Black' is not so much related to the rest, which tells the lifestory of Isaac McCaslin.
Especially the last stories were very interesting. In "The old people" Faulkner makes a good connection between man and nature especially the Sam Fathers figure is interesting. Faulkner expands on this theme in "The Bear". The notion that nature is losing in "Delta Autumn" is very strong. Together with the struggle between man and nature, Faulkner explores the relationship between black and white. This is extra complicated by the interracial McCaslin-Beauchamp connection.
What makes this book complicated is Faulkners style. I had to read several passages over and over again to understand what was going on. The complicated McCaslin family and introduction of different names (Uncle Bud an Uncle Buddy are often referred to with their official names) makes it also confusing.
It took me almost two years to read it, but nevertheless a great book and worth reading.
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