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Collected Poems, by James Schuyler

Free Ebook Collected Poems, by James Schuyler
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This collection of poetry showcases the unique talent of James Schuyler and highlights the writing that won him a Pulitzer Prize.
- Sales Rank: #592461 in Books
- Color: Multicolor
- Published on: 1995-09-30
- Released on: 1995-09-30
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.47 pounds
- Binding: Paperback
- 430 pages
Features
- ISBN13: 9780374524036
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Amazon.com Review
Born in Chicago in 1923, the late James Schuyler gravitated early on to Manhattan, where he came to be associated with such stalwarts of the New York School as Frank O'Hara, Kenneth Koch, and John Ashbery. Yet his work--unlike, say, Ashbery's, with whom he wrote a novel, A Nest of Ninnies--is eminently accessible. Indeed, Schuyler's Collected Poems functions as an exquisite illustration of how to write poetry with a crystal-clear surface. And he always remains a master of the light touch, even when he himself is in desperate straits.
In Schuyler's long pieces, such as "Hymn to Life," "The Morning of the Poem," and "A Few Days," he casually reverses the romantic position: anti-didactic, anti-epiphanic, he trusts his imagination and resists any psychological theorizing about why one memory, one perception, is connected to another. He mistrusts monumentality. Wisdom, he knows, is enervating: "Things should get better as you / grow older, but that / is not the way. The way is inscrutable and hard to / handle." But long or short, Collected Poems is a record of discoveries, and each one is marked by Schuyler's terrific antennae and gift of tonal rightness. (The same qualities are on ample, if more casual, display in the poet's diary.) There's no question that he is among the most formidable and most observant poets of postwar America. Indeed, his attractively quotidian elegy for W.H. Auden is a far more subtle poem than the endlessly quoted tour de force that Auden dedicated to W.B. Yeats: I don't have to burn his
letters as he asked his
friends to do: they were lost
a long time ago. So much
to remember, so little to
say: that he liked martinis
and was greedy about the wine?
I always thought he would live
to a great age. He did not.
Wystan, kind man and great poet,
goodbye.
Nobody thought that James Schuyler would live to a great age. But the death of this "kind man and great poet" in 1991 felt no less cruelly premature. --Mark Rudman
From Publishers Weekly
This posthumous collection of Schuyler's (1923-1991) work will confirm the poet's mastery of a type of poem made famous by his friend Frank O'Hara in the late 1950s. Schuyler's subject is his life, and his poems often read like elegant journal entries. The book presents intimate and conversational accounts of life in the Eastern literary landscape--New York City, New England, Long Island. In urbane free verse, the poet recalls and meditates on music and painting, homosexuality, weekends with friends--John Ashbery and Fairfield Porter among them--deaths, a drive to the Hamptons. Unlike many later writers who have tried to convey the poetry inherent in the mundane aspects of their quotidian routine, Schuyler had a superb ear for language, for "How the thing said / Is in the words, how / The words are themselves / The thing said." His work is almost always interesting and witty, though rarely profound. A typical poem finds him dining out with friends, the narrative following the course of the poet's meandering thoughts: "Now it's tomorrow, / as usual. Turned out that / Doug Douglas Crase, the poet / had to work (he makes his bread / writing speeches): thirty pages / explaining why Eastman Kodak's / semi-slump(?) is just what / the stockholders ordered." Rarely has a poet imparted so much of his experience as honestly and engagingly as Schuyler does here.
Copyright 1993 Reed Business Information, Inc.
Review
Sestina [al Poco Giorno]
3/23/66
8/12/70
Advent
Adverts: 1. Ambrosia
Adverts: 2. Good-bye, Cheap Lamps
Adverts: 3. Swan And Edgar Good Linen
After Joe Was At The Island
Afterward
Afterward
Ajaccio Violets
Alice Faye At Ruby Foo's
An Almanac
Amy Lowell Thoughts
Andrew Lord Poems
April And Its Forsythia
At Darragh's I
At The Beach
August First, 1974
August Night
Autumn Leaves
Await
Awoke
Beaded Balustrade
Beautiful Funerals
A Belated Birthday Poem
Below The Stairs
Birds
Bleeding Gums
Blossoming Oakwood
Blue
A Blue Towel
The Bluet
Boer War Bread Strike
Buildings
Buried At Springs
Buttered Greens
A Cardinal
The Cenotaph: 1. Moneses Uniflora
The Cenotaph: 2. We See Seals. Boats Go By
A Chapel
Closed Gentian Distances
Cornflowers
Crocus Night
The Crystal Lithium
The Day
The Day
Daylight
Dear Joe
Dec. 28, 1974
December
Deep Winter
Dining Out With Doug And Frank (for Frank Polach)
The Dog Wants His Dinner
Dora'bella's Naples Watercolor
Dreams
Earth's Holocaust
An East Window On Elizabeth Street
The Edge In The Morning
'the Elizabethans Called It Dying'
Empathy And New Year
En Route To Southampton
Evening
Evening Wind
Evenings In Vermont
Eyes
Eyes At The Window
Faberge
The Faure Ballade
Faure's Second Piano Quartet
February
A Few Days
Flashes
For Bob Dash
Four Poems
Freely Espousing
Frock
From The Next
Going
Good Morning
Grand Duo
A Grave
Gray Day
Gray, Intermittently Blue, Eyed Hero
The Green Door
Greenwich Avenue
Greetings From The Chateau
Growing Dark
Gulls
Hats
Haze
A Head
A Held Breath
Horse-chestnut Trees And Roses
Hudson Ferry
Hymn To Life
I Sit Down To Type
I Think
Ilford Rose Book
In A Churchyard
In Earliest Morning
In January
In The Round
In White City
In Wiry Winter
Industrial Archaeology
Janis Joplin's Dead: Long Live Pearl
Jelly Jelly
Joint
June 30, 1974
Just Before Fall
Korean Mums
Labor Day
Let's All Hear It For Mildred Bailey
Letter Poem #2
Letter Poem #3
Letter To A Friend: Who Is Nancy Daum?
Light Blue Above
Light From Canada
The Light Within
Like Lorraine Ellison
Lilacs
Looking Forward To See Jane Real Soon
A Man In Blue
March Here
Mark
The Master Of The Golden Glow
May 24th Or So
May, 1972
Mike
Milk
Money Musk
Mood Indigo
Moon
The Morning
The Morning Of The Poem
A Name Day
A New Yorker
The Night
Noon Office
November
Now And Then
O Sleepless Night
October
October 5, 1981
On The Dresser
Oriane
Over The Hills
Overcast, Hot
The Payne Whitney Poems: Arches
The Payne Whitney Poems: Back
The Payne Whitney Poems: Blizzard
The Payne Whitney Poems: February 13, 1975
The Payne Whitney Poems: Heather And Calendulas
The Payne Whitney Poems: Linen
The Payne Whitney Poems: Pastime
The Payne Whitney Poems: Sleep
The Payne Whitney Poems: Trip
The Payne Whitney Poems: We Walk
The Payne Whitney Poems: What
Penobscot
People Who See Bubbles Rise
Perhaps
A Photograph
A Picnic Cantata
Poem
Poem
Poem
Poem
Poem
Poem
Princess Di
Procession
Quick, Henry, The Flit
Rachmaninoff's Third
Rain
Red Brick And Brown Stone
A Reunion
Roof Garden
The Rose Of Marion
Roxy
Royals
Running Footsteps
Saturday Night
Scarlet Tanager
Seeking
Self-pity Is A Kind Of Lying, Too
September
Shadowy Room
Shaker
Shimmer
Simone Signoret
Six Something
The Sky Eats Up The Trees
Sleep
Sleep-gummed Eyes
The Snow
The Snowdrop
Sometimes
Song
Song
Sonnet
Sorting, Wrapping, Packing, Stuffing
Sparks
Spring
Standing And Watching
Steaming Ties
A Stone Knife
Stun
Suddenly
A Sun Cab
Sunday
Sunday
Sunset
A Table Of Green Fields
Things To Do
Thinness
This Dark Apartment
This Notebook
This Soft October
Three Gardens: 4404 Stanford
Three Gardens: Chelsea
Three Gardens: Erta Canina
Thursday
To Frank O'hara
Today
Tom
Tom's Attempt To Seduce Big Brother Steve
Tom's Dream
Tomorrow
The Trash Book
Two
Under The Hanger
Unlike Joubert
Up
Used Handkerchiefs 5 Cents
Velvet Roses
A Vermont Diary
A View
Virginia Woolf
Voyage Autour De Mes Cartes Postales
The Walk
Walter Scott
Was It
Watching You
We Are Leaves
What Ails My Fern
White
White Boat, Blue Boat
Wild Eggs
With Frank And George At Lexington
Witley Court
Wonderful World
Wystan Auden
Yellow Flowers
You're
-- Table of Poems from Poem Finder�
Most helpful customer reviews
13 of 13 people found the following review helpful.
Still shamefully neglected
By John Cassels
I'm shocked that no one else has posted a review of this book. If you care at all about poetry in the latter half of the century just ended you cannot ignore Schuyler, and here is his poetry -- he was also a fine novelist -- *complete,* and at a bargain price. Schuyler is often compared to his "New York School" compatriot Frank O'Hara -- in that both could be called poets of the present moment, of immediacy -- and to Elizabeth Bishop -- with whom he shares an eye for detail -- but he is far more unflinching in his subjective confrontation with the objective world than either of these analogues: less anxious than O'Hara to be ever off into the next sensation, he is also less willing than is Bishop to elaborate, embroider, or buff the object as seen. Schuyler not only records the looks of weathers, fields, rooms, gardens, friends, he renders (often with shattering poignancy) the seismic bounce of one's response to the things and persons of this world. His is a poetry of unprecedentedly unswerving honesty, as brave as that of any confessional but without the cloying sense that the poet is doing anything unusual or exemplary, and without the sense that anything said or done will be forgiven. Schuyler is deservedly well-known for his long poems -- "The Crystal Lithium," "Hymn to Life," "The Morning of the Poem," "A Few Days" -- but he is equally to be treasured for sequences like "The Payne Whitney Poems," an account of mental incarceration that is terrifyingly offhand and funny, and for the many smaller, gemlike poems whose production was, for Schuyler, apparently as inevitable as breathing, while that lasted. Anyone who loves poetry should know these poems; there will be no others like them.
5 of 5 people found the following review helpful.
Wreckage and Romanticism
By David Dodd Lee
These sparkling poems mimic in their movements the springtime light that's always raining down around this poet, despite whatever woes he might have had. Read the long "Morning of the Poem" and tell me it isn't one of the most moving poems in the history of poetry.
1 of 1 people found the following review helpful.
Almost Perfect!
By A Customer
James Schuyler's COLLECTED POEMS is a great volume of poetry. Ranging from aspects of daily life (such as plants, walks in the countryside, friends, urban life, etc.) to contemplation of death, life, one's interiority, and God, Schuyler's subjects are compelling and relevant. What I especially like is his ability to take a mundane, everyday object or concept (like a view from a building) and give it a new, intensely personal perspective. This is his major gift. One aspect that I didn't like about some of his poems (and this is true for all poets) is his tendency to be obscure at times (though only a small portion of his poems are abstruse) and his long, rambling prose poems, like "Hymn to Life." "The Morning of the Poem," though, is a fantastic and imaginative piece of literature, broad in its scope and revealing of Schuyler in its tone and subjects. Overall, this volume of poetry unites the works of a superb poet, who valued the artist's perspective and his or her obligation to record a view of the world different than that of the average person. This volume will, I fervently hope, remain in the continuum of literature and in discussions of it for many years to come.
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